I try to use open fictional narrative means to make visual superposition of the contents of the picture in the space within the picture. The close-up and distant landscape are depicted in the picture to break the perspective of the picture space. You can see enlarged body or costume details or see distant landscapes or blurred lenses on the canvas.

I am very interested in diversity and complex crowd itself. In the picture, the body or dress fragments of each character in the same scene are interspersed and integrated with the background scene. The works in this exhibition also record my personal life feelings under the epidemic. In this works, more points to some contents and stories of my personal life during this period.

My work has been greatly influenced by industrial communication visual, video and advertising printing. A lot of image information blurs the virtual space between reality and network. Class, consumerism, media, the recording of minority groups and luxurious clothes in videos, as well as the potential hints and guidance of elites to real life, make people’s cognition become fragmented and diversified. In such a diversified and mixed space, the relationship and distance between people become abstract and complex. My work is to use abstract painting composition to connect multiple cognitive feelings, different identity information and different people in a picture at the same time. I am trying a kind of painterly open non-linear narrative.

This exhibition is the first solo exhibition of my new series of works.

I wanted to use the simple name of “stay in character » for a straightforward first description of my work.