Sarah Meyohas (French-American, born in 1991) holds a B.A. in International Relations from the University of Pennsylvania and a B.S. in Finance from the Wharton School. In 2015 she received an M.F.A. in Photography from Yale University.

She had solo shows at 303 Gallery, New York in 2016, Galerie PACT, Paris (2017 and 2019), Independent Régence, Brussels, RedBull Arts Studios, New York in 2017, at Disjecta Contemporary, Portland and at Wasserman Projects, Detroit in 2018. Her work was also part of various group exhibitions, at Aperture Foundation, Shulamit Nazarian, Los Angeles, Museum of Contemporary Art Detroit, Fisher Parrish, New York, at the Open Space Contemporary of London etc.

In 2017, Sarah Meyohas was listed on Forbes 30 Under 30 and has appeared on CNBC, PBS, and CBC. Her work is often featured in such publications as; The New York Times, Artforum, Vice, Time, Wired, Fortune, Whitewall, T Magazine, Nowness, The Atlantic, Bloomberg View, i-D, AnOther, The Cut, Wallpaper, and Harpers Bazaar. She appeared on the cover of the 20th Anniversary Edition of Flaunt Magazine, Fall 2018.

Sarah Meyohas is a conceptual artist whose practice considers the nature and capabilities of emerging technologies in contemporary society. Using the familiar emblems of biological life, Meyohas investigates the complex operations that increasingly govern our world: soaring birds, created using augmented-reality software, flock in unison with the frenetic variations of the stock market; rose petals, aggregately identical but individually unique, comprise the dataset for their AI-created equivalents; Bitchcoin, a cryptocurrency backed by physical artworks, questions the speculative value of cryptocurrency and the ineffable value of art. Meyohas creates an intelligible visual language to articulate the systems and technologies that increasingly influence our world.